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Some of the material in is restricted to members of the community. By logging in, you may be able to gain additional access to certain collections or items. If you have questions about access or logging in, please use the form on the Contact Page.
It seems as though I always hearken back to the same themes, in whatever I write. This mix of genres I have pieced together hinges off the idea of how there is what is, and how we perceive it to be. I feel that the non-fiction piece is...
Novel based on an Upstate New York Vineyard about a young couple's struggles with economic hardships, sexual identity, and the cyclical nature of love.
The Age of Strongmen is the opening excerpt of a novel in progress. The excerpt covers the opening four chapters and follows the parallel stories of two characters: Jules, the child of a poor woman and a delinquent father; and Sunra, ...
My thesis consists of three essays: "Dennis, Would You Take a Quick Look at This, and Community Center." I also have included four short stories: "The British Are Coming, Like Frankenstein, Woman's World, and Auto-Man." The...
In the wake of the current storm over what constitutes truth – non-fiction – and what is "made up" – fictional – my fascination with the flexibility of memory is suddenly more than a little apropos. Current literary events...
This is a collection of stories centering on the lives of the Palestinians living in Deir-Al-Asad, Israel and the United States. Lying With the Saints focuses on the roles of respect and honor within the Arab family. Engagement is about...
The topic of my master's thesis is a long time coming. Since entering the graduate program, even attending Florida State University as an undergraduate and taking my first writing workshop my sophomore year, I have been writing, ...
Some of the material in is restricted to members of the community. By logging in, you may be able to gain additional access to certain collections or items. If you have questions about access or logging in, please use the form on the Contact Page.