Some of the material in is restricted to members of the community. By logging in, you may be able to gain additional access to certain collections or items. If you have questions about access or logging in, please use the form on the Contact Page.
Some of the material in is restricted to members of the community. By logging in, you may be able to gain additional access to certain collections or items. If you have questions about access or logging in, please use the form on the Contact Page.
The examination of multimedia compositions by minimalist composers demands the analysis of not only the music, but also the visual and narrative domains. While there are many ways of addressing the music, there are relatively few methods...
With few exceptions, there is a distinct paucity of modern analytical studies regarding the association of music and drama in Baroque opera seria. Few authors even mention the works, and those who do tend to make comments about them only...
The purpose of this dissertation is to propose a theory of musical meaning for the performing musician by attempting to reconcile expressive theories of music with current trends in semiotic analysis. In this context, it is presupposed...
This dissertation explores three aspects of Songs of Innocence and of Experience: the contrary states of Innocence and Experience, the diverse stylistic juxtapositions, and the interaction of the music, text, and visual elements. An...
Over the past decade, few music theorists have explored the works of Puccini. Notable exceptions have been Burton (1995) and Davis (2003), who examined motive and style in Tosca and Turandot, respectively. This dissertation considers...
Some of the material in is restricted to members of the community. By logging in, you may be able to gain additional access to certain collections or items. If you have questions about access or logging in, please use the form on the Contact Page.
