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Some of the material in is restricted to members of the community. By logging in, you may be able to gain additional access to certain collections or items. If you have questions about access or logging in, please use the form on the Contact Page.
In this treatise, I study four of Kenneth Frazelle’s piano works, Elixir, Appearances, Inventions to Marden and Wildflowers. In composing these works, Frazelle took inspiration from extramusical sources including Paul Cezanne’s artistic...
The following treatise is based on content from two separate lecture recitals that the author previously delivered at Florida State University. Followed by performances of the pieces, the first lecture recital featured Shinuh Lee’s...
This treatise studies and compares two twentieth-century works and the pianistic challenges they exhibit: Karlheinz Stockhausen’s Klavierstück VII and Tristan Murail’s La Mandragore. Historical background is provided on Karlheinz...
The guitar-piano chamber music duo presents unique opportunities for performers and composers. Both instruments are perfectly capable of playing melodies, harmonies and contrapuntal music with a variety of timbres and articulation. The...
The recordings by the guitarist and composer Agustín Barrios Mangoré are invaluable sources for understanding his music. They provide important information about how Barrios performed his own music as well as music by other composers....
The purpose of this treatise is to provide a close examination of the compositional styles of two pianist-composers, Robert Chumbley (b. 1954) and Lera Auerbach (b. 1973), as well as critical analyses of selected solo piano works. It...
Some of the material in is restricted to members of the community. By logging in, you may be able to gain additional access to certain collections or items. If you have questions about access or logging in, please use the form on the Contact Page.
