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AN EXPERIMENTAL STUDY OF DURATIONAL NOTATION
Comparisons of attained ratings to instructional behaviors and techniques exhibited by band directors in sight-reading performance situations
The development, implementation, and evaluation of a sequentially organized instrumental method of sightreading
An index of choral music performed during Southern Division Conventions of the American Choral Directors Association (1970-1990)
CONCERTO FOR PIANO AND ORCHESTRA
THE SACRED ORATORIOS OF GEORG PHILIPP TELEMANN (1681-1767). VOLUME I: AN HISTORICAL AND STYLISTIC SURVEY. VOLUME II: A SELECTED ANTHOLOGY OF MUSIC
THE DEVELOPMENT OF A CONCEPT OF STRING TECHNIQUES BY A PROGRAMMED COURSE OF INSTRUCTION FOR THE HETEROGENEOUS STRING METHODS CLASS
RECITATIVE IN BAROQUE KEYBOARD MUSIC
THE MASSES OF ANTOINE DE FEVIN. (VOLUMES I AND II)
The life of Vincent Persichetti, with emphasis on his works for band
THE STEPHEN FOSTER MEMORIAL 1931-1969: A SOCIO-CULTURAL FORCE IN A RURAL COMMUNITY
INVESTIGATION AND EVALUATION OF AUDIO-VISUAL MATERIALS PERTAINING TO THE UNDERGRADUATE MUSIC EDUCATION CURRICULUM
THE FIVE BERLIN CEMBALO CONCERTOS, P. 390, OF JOHN CHRISTIAN BACH: A CRITICAL EDITION
THE CONTRIBUTIONS OF ADOLPHE SAX TO THE WIND BAND
INCIDENCE AND CAUSES OF WITHDRAWAL FROM PUBLIC SCHOOL MUSIC TEACHING
A STUDY TO DETERMINE THE EFFECT OF MUSICAL EXPERIENCE AND MENTAL ABILITY ON THE FORMULATION OF MUSICAL TASTE
THE TIENTOS, FUGAS, AND DIFERENCIAS IN ANTONIO DE CABEZON'S 'OBRAS DE MUSICA PARA TECLA, HARPA Y VIHUELA.'
IMPLICATIONS FROM CONTEMPORARY AESTHETIC THOUGHT FOR MUSIC EDUCATION
Developing a string research agenda by identifying the components of a string education: A qualitative study of selected members of the Philadelphia Orchestra string section
THE ROLE OF THE LIBERAL ARTS IN THE TRAINING OF STRINGED INSTRUMENT ORCHESTRAL PLAYERS
THE HISTORY AND DEVELOPMENT OF THE AMERICAN CHORAL DIRECTORS ASSOCIATION,1957-1970
BEHAVIORAL MODIFICATION BY RECIPROCAL INHIBITION OF INSTRUMENTAL MUSIC PERFORMANCE ANXIETY
HISTORY OF MUSIC IN COLUMBUS, GEORGIA, 1828-1928
The current status and future implications of obtaining follow-up data from graduates of specialized schools of the arts in the United States
A STUDY OF TONALITY IN SELECTED WORKS BY LEONARD BERNSTEIN
FACTORS RELATING TO PARTICIPATION AND NON-PARTICIPATION IN THE MUSIC OF THE LITURGY BY MEMBERS OF THE ROMAN CATHOLIC CHURCH
THE BOMBA AND AGUINALDO OF PUERTO RICO AS THEY HAVE EVOLVED FROM INDIGENOUS, AFRICAN AND EUROPEAN CULTURES
An empirical study concerning terminology relating to aesthetic response to music
Chamber Symphony. (Original composition)
THIRTY-SIX SELECTED CHORAL WORKS OF THE SIXTEENTH CENTURY ADAPTED AND ANNOTATED FOR PERFORMANCE BY NON-PROFESSIONAL CHORAL GROUPS
THE CHORAL MUSIC OF VINCENT PERSICHETTI: A DESCRIPTIVE ANALYSIS
A STUDY OF INSTRUMENTAL RELATIONS: THE PIANO TRIOS OF BEETHOVEN
BEING ATTUNED: AN ONTOLOGICAL ANALYSIS OF MUSIC
MUSICAL AND POETICAL RHETORIC IN HANDEL'S SETTING OF BROCKES' PASSION ORATORIO; A RHETORICAL ANALYSIS OF THE POEM WITH A STUDY OF HANDEL'S USE OF THE FIGURENLEHRE
MEASURING AND EQUALIZING MUSIC THEORY COMPETENCE OF FRESHMEN COLLEGE MUSIC MAJORS
A profile of the athletic pep band
The symphonic works of George Whitefield Chadwick
MUSIC IN THE CULTURE OF MIAMI: 1920-1966
THE RELATIONSHIP BETWEEN ACADEMIC PREPARATION AND PROFESSIONAL RESPONSIBILITIES OF INSTRUMENTAL AND CHORAL INSTRUCTORS IN SOUTH CAROLINA
Nikolaus Gengenbach's "Musica nova: Newe Singekunst": A translation, critical edition, and commentary
THE SYMPHONIES OF KARL AMADEUS HARTMANN
A HISTORY OF MUSIC IN RICHMOND, VIRGINIA FROM 1742 TO 1865
CONCERTO FOR SYMPHONIC BAND. (ORIGINAL COMPOSITION)
THE EFFECT OF INTERVAL DIRECTION ON PITCH ACUITY IN SOLO VOCAL PERFORMANCE
A DESCRIPTIVE STUDY OF PREPARATORY DIVISIONS IN COLLEGIATE SCHOOLS OF MUSIC
RICHARD CORY. (ORIGINAL BALLET)
GLASS BEADS. (ORIGINAL MUSIC)
A SURVEY APPRAISAL OF MUSIC IN THE SCHOOLS OF LEBANON

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