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An annotated international bibliography of doctoral dissertations/treatises/essays/theses/documents pertaining to the clarinet
THE APPLICATION OF SELECTED WRITINGS BY GAGNE, BRUNER, AND AUSUBEL TO MUSIC THEORY PEDAGOGY
A pedagogy for choral conducting based on score miniaturization
Of Canyons and Inlets: Three poems of Gerrit Lansing. (Original composition)
THE SYMPHONIES OF SERGEI PROKOFIEV
THE EFFECT OF A SIMULTANEOUS MELODIC STIMULUS ON HARMONY INTONATION OF COLLEGE SINGERS
A HISTORICAL REVIEW OF THE COLLEGE BAND MOVEMENT FROM 1875 TO 1969
COMPARISONS OF INCIPIENT MUSIC RESPONSES AMONG VERY YOUNG TWINS AND SINGLETONS
Triptych for Wind Ensemble. (Original composition)
GIOVANNI PAISIELLO'S 'GLI ASTROLOGI IMMAGINARI': AN URTEXT EDITION
CONCERTO FOR PIANO, STRINGS AND PERCUSSION. (ORIGINAL COMPOSITION)
TOWARDS THEORIES OF TWENTIETH-CENTURY COMPOSITIONAL PRACTICES: A TRANSLATION OF, AND COMMENTARY UPON, JUAN CARLOS PAZ'S "INTRODUCCION A LA MUSICA DE NUESTRO TIEMPO." (VOLUMES I AND II) (ARGENTINA)
THE RESTORATION OF A NINETEENTH-CENTURY ENGLISH CHAMBER ORGAN (KEYBOARD)
THE SYMPHONIC MUSIC OF ALBERT ROUSSEL (FRANCE)
LEALISTA: AN OPERA IN TWO ACTS. (ORIGINAL COMPOSITION)
A STUDY OF TEN ORIGINAL COMPOSITIONS FOR BAND PUBLISHED IN AMERICA SINCE 1946
FIVE PIANO COMPOSITIONS BASED ON A CLASS COMPOSED THEME FOR INTRODUCTORY LISTENING EXPERIENCES IN PERIOD STYLE. (ORIGINAL COMPOSITION)
THE MUSIC OF CHARLES T. GRIFFES
MUSIC EDUCATION IN PUERTO RICO: A HISTORICAL SURVEY WITH GUIDELINES FOR AN EXEMPLARY CURRICULUM
Death in the Renaissance: Musical symbols and styles in commemorative motets, 1460--1539
THE TREATMENT OF THE ROMANTIC LITERARY HERO IN VERDI'S 'ERNANI' AND IN MASSENET'S 'WERTHER.'
Di-zi: The history and performance practice of the Chinese bamboo transverse flute
Kircher and Musica pathetica
CHARLES EDWARD HORN: HIS LIFE AND WORKS (1786-1849)
THE PERCEPTION OF PITCH PREDOMINANCE IN SELECTED MUSICAL EXAMPLES OF AVANTE-GARDE COMPOSERS: 1945-1961
JOHN PLAYFORD'S 'AN INTRODUCTION TO THE SKILL OF MUSICK'
TEXTURE AND MUSICAL STRUCTURE: AN ANALYSIS OF FIRST MOVEMENTS OF SELECT TWENTIETH-CENTURY PIANO SONATAS
BAND WORKS OF TOMMASO VENETTOZZI EDITED AND RESCORED
THE CHATTANOOGA CIVIC CHORUS, 1930-1957
A PHENOMENOLOGICAL STUDY OF THE FOUNDATIONS OF MUSIC
FACTORS INFLUENCING THE CHOICE AND PURSUANCE OF A CAREER IN MUSIC EDUCATION: A SURVEY AND CASE STUDY APPROACH
SYMPHONY NUMBER ONE FOR ORCHESTRA. (ORIGINAL COMPOSITION)
An index of choral music performed during National Conventions of the American Choral Directors Association (1960-1987)
SIGNIFICANT FACTORS IN THE MUSICAL DEVELOPMENT OF THE CULTURAL LIFE IN HOUSTON, TEXAS, 1930-1971
Selected solo piano music of Florence B. Price (1887-1953)
The relationship of fluency in fundamental skills of pitch notation and music theory achievement
A PROPOSED PROGRAM FOR THE EXTENSION OF MUSIC EXPERIENCES IN THE ELEMENTARY SCHOOL
THE EFFECTS OF DIFFERENTIAL ACCOMPANIMENT ON STRING INSTRUMENTALISTS' INTONATIONAL PERFORMANCE IN EXTREME REGISTERS (SCALES, DIRECTION, INTERVALS)
THE BICINIA VARIORUM INSTRUMENTORUM OF JOHANN CHRISTOPH PEZEL. (VOLUMES IAND II)
LASSO: A COMPUTER-BASED TUTORIAL IN SIXTEENTH-CENTURY COUNTERPOINT. (VOLUMES I-III)
THE DISC JOCKEY AND HIS IMPACT ON TEENAGE MUSICAL TASTE AS REFLECTED THROUGH A STUDY IN THREE NORTH FLORIDA CITIES
SONGS OF SORROW. (ORIGINAL MUSIC)
CONCERTO FOR TWO PIANOS AND ORCHESTRA (ORIGINAL COMPOSITION)
Mannerism: Reassessment of a period style as evidenced in three art forms
An exploratory study of band musicians' eye contact and performance as influenced by loss of visual and/or aural stimuli
A STUDY RELATING TO THE BOY'S CHANGING VOICE IN INTERMEDIATE CHURCH CHOIRS OF THE SOUTHERN BAPTIST CONVENTION
The effects of structured music activities versus contingent music listening with verbal prompt on wandering behavior and cognition in geriatric patients with Alzheimer's disease
ATTITUDINAL CHANGE TOWARD MUSIC IN THE GENERAL EDUCATION OF STUDENTS IN TWENTY FLORIDA PUBLIC JUNIOR COLLEGES
THOMAS MORLEY EDITIONS OF ITALIAN CANZONETS AND MADRIGALS, 1597 AND 1598: VOL. I: COMMENTARY. VOL. II: MUSIC

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