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The effects of guided imagery on the ensemble and performance
A quantitative computer-assisted partial syntactic analysis of the dramatic works of Alejandro Casona (Spain)
THE HIGH SCHOOL TOUR: A STUDY OF THE ASOLO THEATRE TOURS OF 1966-1968 ANDTHE ELON COLLEGE TOURS OF 1969, 1970 AND A GUIDE FOR HIGH SCHOOL TOURING
A STUDY OF DEPARTMENT CHAIRMEN IN SELECTED COLLEGE AND UNIVERSITY THEATRE PROGRAMS: THEIR PERCEIVED PROBLEMS AND PROSPECTS
CHILDREN IN EIGHTEENTH CENTURY ENGLISH DRAMATIC LITERATURE
AFFILIATION BETWEEN SELECTED UNIVERSITIES AND PROFESSIONAL THEATRE COMPANIES
The state-wide tours of the Florida Federal Theatre Project, October, 1937-June, 1939: A description and evaluation of two seasons on the road for the "People's Popular Theatre"
THE ARTILLERY ELECTION SERMON IN NEW ENGLAND, 1672-1774
THE EMPATHIC ABILITY OF ACTORS: A BEHAVIORAL STUDY
AMERICAN DRAMATIC CRITICISM, 1830-1860
AN ANALYSIS OF VARIANCE OF THE RELATIONSHIP OF EXPERIENCED STAGE FRIGHT TO SELECTED PSYCHOMETRIC INVENTORIES
EGYPTIANIZING THEATRE IN EGYPT, 1963-1970: A DESCRIPTIVE AND CRITICAL EXAMINATION OF THE CLASH BETWEEN A QUEST FOR AUTHENTICITY AND A TENDENCY TO ASSIMILATE WESTERN METATHEATRE
Century of theatre activity in the capital city of Florida: an historical study of theatrical entertainment in Tallahassee, Florida, from 1857 to 1957
THE REACTIONS OF LONDON'S DRAMA CRITICS TO CERTAIN PLAYS BY HENRIK IBSEN, HAROLD PINTER, AND EDWARD BOND
Irene Olivia Colbert Edmonds: Her historic tenure at Florida Agricultural and Mechanical University, 1947-1968
THE THEATER OF CARLOS MUNIZ (SPAIN)
WRITING AND DIRECTING TWO FULL-LENGTH PLAYS (WITH TWO ORIGINAL PLAYS)
AN AESTHETIC AND METHOD FOR DESIGNING STAGE FURNITURE
THE THEATER OF THE ANTI-ABSURD
A DESCRIPTIVE SURVEY OF NINE SELECTED PRODUCTION SCHEMES OF ENGLAND'S NATIONAL THEATRE, 1963-1971
La presencia de la Virgen en las obras dramaticas de Tirso de Molina
THEATRE IN EDUCATION AT THE BELGRADE: A STUDY OF ITS ORIGINS AND EVOLUTION FROM 1965 TO 1974
GROUP DYNAMICS AND THE EVOLUTION OF CREATIVE CHOICE IN THE PERFORMANCE GROUP'S NEW YORK PRODUCTION OF "DIONYSUS IN 69"
Trance and acting: A theoretical comparative study of acting and altered states of consiousness and a survey of the implications in current actor training and craft
THE THEATRE AS A VEHICLE FOR COMMUNITY ACTION
THE MATURATION THEME IN CONTEMPORARY AMERICAN DRAMA
AN ANALYSIS OF CHARACTER DELINEATION IN SELECTED PLAYSCRIPTS OF CHARLES MACARTHUR AND HIS COLLABORATORS
CRITICAL ELEMENTS OF FUNCTIONAL THEATRE ARCHITECTURE IN AMERICAN COLLEGESAND UNIVERSITIES
THE FUNCTION OF THE CHOREOGRAPHER IN THE DEVELOPMENT OF THE CONCEPTUAL MUSICAL: AN EXAMINATION OF THE WORK OF JEROME ROBBINS, BOB FOSSE, AND MICHAEL BENNETT ON BROADWAY BETWEEN 1944 AND 1981 (NEW YORK)
A HISTORY OF THE AMERICAN COLLEGE THEATRE FESTIVAL: 1963-1973
A HISTORY OF THE PROFESSIONAL THEATRE OF DETROIT, MICHIGAN, SEPTEMBER 13,1875 TO JULY 3, 1886
AN ANALYSIS OF THE DIFFERENCES BETWEEN THE LEVELS OF ANXIETY AND COMENTION OF HYPERCONFIDENT, HYPOCONFIDENT, AND NORMAL SPEAKERS
ANALYZING RELATIONSHIPS AMONG CHARACTERS IN DRAMA: A COMBINATION OF PRECEPTS FROM CONSTANTIN STANISLAVSKI'S SYSTEM OF ACTING AND ERIC BERNE'S SYSTEM OF TRANSACTIONAL ANALYSIS
THE APPLICATION OF PERSONALITY DESCRIPTIONS TO THE INTERPRETATION AND VOCAL EXPRESSION OF DRAMATIC CHARACTERS
AN ANALYSIS OF THE ROLE OF THE BUSINESS MANAGER IN THE COLLEGE OR UNIVERSITY THEATRE
THE USE OF ACTOR TRAINING TECHNIQUES TO IMPROVE THE EXPRESSIVE SKILLS OF UNIVERSITY STUDENTS WITH VISUAL HANDICAPS
THE WORKING DYNAMICS OF THE RIDICULOUS THEATRICAL COMPANY: AN ANALYSIS OF CHARLES LUDLAM'S RELATIONSHIP WITH HIS ENSEMBLE FROM 1967 THROUGH 1981 (NEW YORK)
PETER SCHUMANN'S CREATIVE METHOD USED IN MAKING PLAYS WITH THE BREAD AND PUPPET THEATER
A HISTORY OF THE ROBERT JOFFREY BALLET. (VOLUMES I AND II)
Comparative analysis of Othello and The Moor's Pavane: an Aristotelian approach to dances based on dramatic literature
THE DEVELOPMENT OF THE ENGLISH ACTOR
THE THEATRE OF AMBIGUITY
The heroic ideal and Greek tragic women
GEORGE BERNARD SHAW'S IDEAS ON ACTING

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