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THE WING 'STANDARDIZED TESTS OF MUSICAL INTELLIGENCE': AN INVESTIGATION OF PREDICTABILITY WITH SELECTED SEVENTH-GRADE BEGINNING - BAND STUDENTS
The wind band music of Hindemith, Krenek, Pepping, Toch and others from the 1926 Donaueschingen Music Festival: An analysis of historical and artisticsignificance (Germany, Paul Hindemith, Ernst Krenek, Ernst Pepping, Ernst Toch, Austria)
WILLIAM WALKER'S MUSIC THEN AND NOW: A STUDY OF PERFORMANCE STYLE
A WAVEFORM ANALYSIS OF BASSOON REED PROFILES
VOLUME I: THE REQUIEM MASS FROM ITS PLAINSONG BEGINNINGS TO 1600. VOLUME II: SELECTED REQUIEM MASSES
VOLUME I: CZECH AND SLOVAK FOLK MUSIC IN MASARYKTOWN AND SLOVENSKA ZAHRADA, FLORIDA. VOLUME II: ARRANGEMENTS OF REPRESENTATIVE EXAMPLES OF FOLK SONGS ILLUSTRATING THEIR ADAPTABILITY TO SCHOOL USE
VOLUME I. FRANCOIS-ANDRE DANICAN PHILIDOR: HIS LIFE AND DRAMATIC ART. VOLUME II. 'TOM JONES,' COMEDIE LYRIQUE EN TROIS ACTES (FRANCE)
Vocal fatigue in choral singing: Causes and suggestions for prevention voiced by prominent choral directors
VIRTUOSO STYLE IN THE PIANO CONCERTOS OF CAMILLE SAINT-SAENS
Viola source materials: An annotated bibliography
VARIATIONS. (ORIGINAL COMPOSITION)
V. V. STASOV: SELECTED ARTICLES ON MUSSORGSKY. A CRITICAL ANNOTATED TRANSLATION WITH INTRODUCTION
The use of a cappella singing in colleges and universities of the United States
THE UNTRAINED LISTENER'S BEAT RESPONSE TO AUDITORY MUSICAL STIMULI
The unfinished in art: Nine case studies
A TWO-ACT OPERA WRITTEN FOR PERFORMANCE BY SCHOOL OR PROFESSIONAL GROUPS FEATURING BOYS' CHANGING VOICES. (VOLUME I: INTRODUCTION. VOLUME II: 'THE QUEST'). (ORIGINAL COMPOSITION)
TUTTI AND CONCERTINO IN SELECTED BAROQUE KEYBOARD WORKS
Triptych for Wind Ensemble. (Original composition)
THE TRIO SONATAS OF ANTONIO CALDARA. (VOLUMES I AND II)
TRI-SENSORY REINFORCEMENT OF A RHYTHM LEARNING PROGRAM
THE TREATMENT OF THE ROMANTIC LITERARY HERO IN VERDI'S 'ERNANI' AND IN MASSENET'S 'WERTHER.'
Tozan-ryu: An innovation of the shakuhachi tradition from fuke-shu to secularism
TOWARDS THEORIES OF TWENTIETH-CENTURY COMPOSITIONAL PRACTICES: A TRANSLATION OF, AND COMMENTARY UPON, JUAN CARLOS PAZ'S "INTRODUCCION A LA MUSICA DE NUESTRO TIEMPO." (VOLUMES I AND II) (ARGENTINA)
TIME, SPACE, AND MUSIC: PROLEGOMENA TO THE HISTORY OF MUSICAL THEORY
THE TIENTOS, FUGAS, AND DIFERENCIAS IN ANTONIO DE CABEZON'S 'OBRAS DE MUSICA PARA TECLA, HARPA Y VIHUELA.'
THREE PROPHECIES: ADVENT, PASSION, FULFILLMENT
THREE NIGHT PIECES FOR ORCHESTRA. (ORIGINAL COMPOSITION)
THREE ANTIPHONIES FOR TWO BRASS CHOIRS. (ORIGINAL COMPOSITION)
THOMAS MORLEY EDITIONS OF ITALIAN CANZONETS AND MADRIGALS, 1597 AND 1598: VOL. I: COMMENTARY. VOL. II: MUSIC
THOMAS HASTINGS: AMERICAN CHURCH MUSICIAN
THIRTY-SIX SELECTED CHORAL WORKS OF THE SIXTEENTH CENTURY ADAPTED AND ANNOTATED FOR PERFORMANCE BY NON-PROFESSIONAL CHORAL GROUPS
THE THEMATIC, TEMPORAL, AND DYNAMIC PROCESSES IN THE SYMPHONIES OF JEAN SIBELIUS
THE LIFE AND ORGAN WORKS OF PAUL DE MALEINGREAU (BELGIUM)
TEXTURE AND MUSICAL STRUCTURE: AN ANALYSIS OF FIRST MOVEMENTS OF SELECT TWENTIETH-CENTURY PIANO SONATAS
TEXTURAL PROCEDURES IN INSTRUMENTAL ENSEMBLE MUSIC AND CHAMBER MUSIC PRIOR TO THE CLASSIC PERIOD
TEXTURAL PATTERNS IN THE SOLO PIANO MUSIC OF ERNST VON DOHNANYI
TEMPORAL PROPORTION: A STUDY OF SONATA FORMS IN THE PIANO SONATAS OF MOZART
THE TEACHING OF MUSIC CONCEPTS IN THE ELEMENTARY SCHOOLS OF PUERTO RICO
A TASK ANALYSIS OF THE MUSIC RHYTHMIC READING EVENT USING GAGNE'S PSYCHOLOGY: A REVISION OF CONVENTIONAL MUSICAL NOTATION
SYMPHONY. (ORIGINAL COMPOSITION)
SYMPHONY OF THE APOCALYPSE (ORIGINAL COMPOSITION)
SYMPHONY NUMBER ONE FOR ORCHESTRA. (ORIGINAL COMPOSITION)
SYMPHONY NO. 2, OPUS NO. 25. (ORIGINAL COMPOSITION)
SYMPHONY NO. 1. (ORIGINAL COMPOSITION)
Symphony No. 1. (Original composition)
SYMPHONY FOR ORCHESTRA. (ORIGINAL COMPOSITION)
SYMPHONY FOR BAND. (ORIGINAL COMPOSITION)
SYMPHONY 1963. (ORIGINAL COMPOSITION)
THE SYMPHONIES OF SERGEI PROKOFIEV
THE SYMPHONIES OF KARL AMADEUS HARTMANN

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