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SYMPHONY FOR BAND. (ORIGINAL COMPOSITION)
A HISTORY OF THE FLORIDA MUSIC EDUCATORS ASSOCIATION AND ITS COMPONENT ORGANIZATIONS
The dialectical structure of W. A. Mozart's "Die Zauberfloete": A phenomenological analysis. (Volumes I and II)
SYMPHONY OF THE APOCALYPSE (ORIGINAL COMPOSITION)
JOHN KNOWLES PAINE: HIS LIFE AND WORKS
SYMPHONY. (ORIGINAL COMPOSITION)
THE ORGAN CONCERTI OF GEORGE FRIDERIC HANDEL
A HISTORY AND SURVEY OF COMMUNITY MUSIC IN MOBILE, ALABAMA
CHAMBER SYMPHONY IN THREE MOVEMENTS. (ORIGINAL COMPOSITION)
Concerto for piano, chamber winds, and percussion. (Original composition)
CULTURALLY TRANSCENDENT FACTORS IN MUSICAL PERCEPTION
The unfinished in art: Nine case studies
A STUDY OF DROP-OUTS IN THE INSTRUMENTAL MUSIC PROGRAMS IN THE FULTON COUNTY AND CITY OF ATLANTA SCHOOL SYSTEMS
A HISTORY OF THE GREATER MIAMI OPERA: 1941-1983 (FLORIDA)
HARMONY IN THE SONGS OF ALBAN BERG
THOMAS HASTINGS: AMERICAN CHURCH MUSICIAN
The effect of intensity and age on the perception of accent in isochronous sequences of a snare drum timbre
An empirical investigation of musicians' and nonmusicians' assessment of perceived rubato in musical performance
The effects of aural, visual, and motoric cues on accuracy and latency of tempo modulation discrimination among musicians and nonmusicians
Algorithms and criteria for a computer simulation of the evaluation of student sight singing ability by college music faculty
Afro-Cuban rhythmic and metric elements in the published choral and solo vocal works of Alejandro Garcia Caturla and Amadeo Roldan
The choral accompanist: Perceptions of competencies and attributes
Felix Mendelssohn's works for solo piano and orchestra: Sources and composition
A WAVEFORM ANALYSIS OF BASSOON REED PROFILES
ALLEGRO AND ADAGIO RHYTHMIC STYLE IN THE INSTRUMENTAL WORKS OF J.S. BACH
Tozan-ryu: An innovation of the shakuhachi tradition from fuke-shu to secularism
A STUDY RELATING TO THE BOY'S CHANGING VOICE: ITS INCIDENCE, TRAINING, AND FUNCTION IN CHORAL MUSIC
ROLE IMPLICATIONS FOR THE SOUTH GEORGIA COLLEGE MUSIC PROGRAM
THE UNTRAINED LISTENER'S BEAT RESPONSE TO AUDITORY MUSICAL STIMULI
HOWARD HANSON: AMERICAN MUSIC EDUCATOR
A HISTORY OF MUSIC IN JACKSONVILLE, FLORIDA, FROM 1822 TO 1922
THE LIFE AND WORKS OF JAMES CUTLER DUNN PARKER
THREE PROPHECIES: ADVENT, PASSION, FULFILLMENT
THE SCOPE AND FUNCTION OF MUSIC IN THE COMMUNITY COLLEGES UNDER THE SUPERVISION OF THE STATE UNIVERSITY OF NEW YORK
The effect of visual/aural conditions on the emotional response to music
The wind band music of Hindemith, Krenek, Pepping, Toch and others from the 1926 Donaueschingen Music Festival: An analysis of historical and artisticsignificance (Germany, Paul Hindemith, Ernst Krenek, Ernst Pepping, Ernst Toch, Austria)
BEETHOVEN AND SCHUBERT: A COMPARATIVE ANALYSIS OF THE STRUCTURAL SUBDOMINANT IN SELECTED SONATA-FORM MOVEMENTS
INSTRUMENTAL RECITATIVE IN CLASSIC, ROMANTIC, AND TWENTIETH-CENTURY MUSIC
THE DEVELOPMENT AND INVESTIGATION OF A PIANO CURRICULUM FOR IMPROVING MUSIC READING SKILLS IN A GENERAL MUSIC CLASS
MUSIC ELECTIONS BY ACADEMICALLY TALENTED STUDENTS IN FLORIDA HIGH SCHOOLS
THREE ANTIPHONIES FOR TWO BRASS CHOIRS. (ORIGINAL COMPOSITION)
THE BARYTON DIVERTIMENTI OF HAYDN: A SELECTED ADAPTATION FOR BRASS TRIO
THE BRASS TRIO A COMPARATIVE ANALYSIS OF WORKS PUBLISHED FROM 1924 TO 1970
Structural function and unifying processes in selected organ music by American composers of the twentieth century
THE EFFECTS OF MONETARY REINFORCEMENT ON RECOGNITION OF MUSICAL STIMULI RECURRING IN CONTEXT
A stylistic analysis of three selected trios for clarinet, viola, and piano: "Fairy Tales" by Robert Schumann, "Eight Pieces" by Max Bruch, and "Kleines Konzert" by Alfred Uhl
THE RELATIONSHIP OF ORCHESTRATION TO FORMAL STRUCTURES IN THE NON-PROGRAMMATIC SYMPHONIES OF SHOSTAKOVICH
A STUDY OF SELECTED CHORAL SETTINGS OF WALT WHITMAN POEMS
THREE NIGHT PIECES FOR ORCHESTRA. (ORIGINAL COMPOSITION)

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