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ELECTRONIC DETECTION OF NASALITY IN THE SINGING VOICE USING WAVESHAPE ANALYSIS
RHAPSODY FOR VIOLONCELLO AND ORCHESTRA. (ORIGINAL COMPOSITION)
Vocal fatigue in choral singing: Causes and suggestions for prevention voiced by prominent choral directors
Phrase rhythm and form: The scherzi of Beethoven's late string quartets
A comparative analysis of selected works of Alexander Scriabin and Olivier Messiaen for solo piano (Russia, France)
Structural function and unifying processes in selected organ music by American composers of the twentieth century
A profile of the athletic pep band
The biographical and sociohistorical context for military and dance music in the manuscripts of Ethan Allen Hitchcock (1798-1870)
An empirical study concerning terminology relating to aesthetic response to music
The wind band music of Hindemith, Krenek, Pepping, Toch and others from the 1926 Donaueschingen Music Festival: An analysis of historical and artisticsignificance (Germany, Paul Hindemith, Ernst Krenek, Ernst Pepping, Ernst Toch, Austria)
Nikolaus Gengenbach's "Musica nova: Newe Singekunst": A translation, critical edition, and commentary
THE LIFE AND WORKS OF JAMES CUTLER DUNN PARKER
THE RELATIONSHIP BETWEEN ACADEMIC PREPARATION AND PROFESSIONAL RESPONSIBILITIES OF INSTRUMENTAL AND CHORAL INSTRUCTORS IN SOUTH CAROLINA
AN ANALYSIS OF THE BACHELOR OF MUSIC EDUCATION CURRICULUM WITH A CHORAL MAJOR AT FLORIDA STATE UNIVERSITY
ALLEGRO AND ADAGIO RHYTHMIC STYLE IN THE INSTRUMENTAL WORKS OF J.S. BACH
IMPLICATIONS FROM CONTEMPORARY AESTHETIC THOUGHT FOR MUSIC EDUCATION
A SURVEY OF THE INFLUENCES THAT AFFECT THE MUSIC CURRICULUM OF STATE-SUPPORTED UNIVERSITIES
A HISTORY OF MUSIC WRITTEN FOR PRESCHOOL CHILDREN
A SURVEY-APPRAISAL OF THE MUSIC CURRICULA OF LIBERAL ARTS COLLEGES RELATED TO THE LUTHERAN CHURCH IN AMERICA
THE SACRED HARP TRADITION OF THE SOUTH: ITS ORIGIN AND EVOLUTION
SYMPHONY NUMBER ONE FOR ORCHESTRA. (ORIGINAL COMPOSITION)
THE WING 'STANDARDIZED TESTS OF MUSICAL INTELLIGENCE': AN INVESTIGATION OF PREDICTABILITY WITH SELECTED SEVENTH-GRADE BEGINNING - BAND STUDENTS
THE STEPHEN FOSTER MEMORIAL 1931-1969: A SOCIO-CULTURAL FORCE IN A RURAL COMMUNITY
EDGAR STILLMAN KELLEY: AMERICAN COMPOSER, TEACHER, AND AUTHOR
THE CONSTRUCTION AND VALIDATION OF AN ACHIEVEMENT TEST IN THE BEGINNING BAND
A COMPARATIVE ANALYSIS OF THE TREATMENT OF MUSIC IN SELECTED CHILDREN'S GENERAL ENCYCLOPEDIAS
PRINCIPLES AND PRACTICES PREVAILING IN CHURCH MUSIC EDUCATION PROGRAMS OFSELECTED PROTESTANT CHURCHES OF AMERICA
THREE NIGHT PIECES FOR ORCHESTRA. (ORIGINAL COMPOSITION)
CONSTRUCTION AND EVALUATION OF A TEST OF MUSICO-AESTHETIC ATTITUDE
THREE PROPHECIES: ADVENT, PASSION, FULFILLMENT
A PERFORMANCE TEST OF KANABLE'S 'A PROGRAM FOR SELF-INSTRUCTION IN SIGHT SINGING'
THE DEVELOPMENT OF A CONCEPT OF STRING TECHNIQUES BY A PROGRAMMED COURSE OF INSTRUCTION FOR THE HETEROGENEOUS STRING METHODS CLASS
A HISTORY OF THE CONNECTICUT MUSIC EDUCATORS ASSOCIATION, 1933-1967
THE UNTRAINED LISTENER'S BEAT RESPONSE TO AUDITORY MUSICAL STIMULI
COMMON MUSICAL IDIOMS IN SELECTED CONTEMPORARY WIND - BAND MUSIC
THE SOCIAL AND PEDAGOGICAL FUNCTION OF 'THE WORCESTER COLLECTION,' 'THE VILLAGE HARMONY' AND 'THE EASY INSTRUCTOR' IN THE EARLY - AMERICAN SINGING SCHOOL
MUSICAL LIFE IN THE UNITAS FRATRUM MISSION AT SPRINGPLACE, GEORGIA, 1800-1936
THE BRASS TRIO A COMPARATIVE ANALYSIS OF WORKS PUBLISHED FROM 1924 TO 1970
MELODY AND TEXTURE IN THE CHORAL WORKS OF FRANCIS POULENC (FRANCE)
JAZZ IMPROVISATION: PRINCIPLES AND PRACTICES RELATING TO HARMONIC AND SCALIC RESOURCES
THE PERCEPTION OF PITCH PREDOMINANCE IN SELECTED MUSICAL EXAMPLES OF AVANTE-GARDE COMPOSERS: 1945-1961
THE TEACHING OF MUSIC CONCEPTS IN THE ELEMENTARY SCHOOLS OF PUERTO RICO
PATTERNS OF CHANGE UNDER IDENTITY IN SHORTER PIANO WORKS BY BELA BARTOK
A STUDY OF THE INCIDENCE, CHARACTERISTICS, AND CHORAL POTENTIAL OF CHANGING VOICES IN SELECTED SCHOOLS OF BRAZIL
A STUDY OF THE INCIDENCE AND CHARACTERISTICS OF BOYS' VOICE CHANGE IN GRADES FOUR, FIVE, AND SIX, AND IMPLICATIONS FOR SCHOOL MUSIC MATERIALS DERIVING THEREFROM
TEMPORAL PROPORTION: A STUDY OF SONATA FORMS IN THE PIANO SONATAS OF MOZART
CONCERTO FOR PIANO AND ORCHESTRA. (ORIGINAL COMPOSITION)
THE CONTRIBUTIONS OF ADOLPHE SAX TO THE WIND BAND
THE BOMBA AND AGUINALDO OF PUERTO RICO AS THEY HAVE EVOLVED FROM INDIGENOUS, AFRICAN AND EUROPEAN CULTURES
RECITATIVE IN BAROQUE KEYBOARD MUSIC

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