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This thesis examines Stanley Kubrick's novel-to-film adaptations and uses the auteur's strategies in the creative portion of the thesis: a full length, adapted screenplay. The study analyzes original texts, screenplays, films, and associating film theory of five Kubrick adaptations (Lolita, 2001: A Space Odyssey, A Clockwork Orange, The Shining, and Eyes Wide Shut). Since this is a creative project, it is split up into an explanative research preface and a full length, adapted screenplay. The screenplay is an adaptation of Daphne du Maurier's short story "The Split Second." The preface component provides details on what Kubrick strategies were and were not used during the adapting process.