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Date Issued:
2008
Summary:
Painted Paradoxes: The Trompe-L’Oeil Fly in the Renaissance by Kandice Rawlings / Death and Devotion in Renaissance Venice: Giorgione’s Boy with an Arrow and the Cult of Saint Sebastian by Rebekah Perry / Touch of Evil: Disease and the Diabolical in Grünewald’s Temptation of St. Anthony by Jerry Marino / The Conquest of Etruria in Francesco Salviati’s Triumph of Camillus by Caroline Hillard / Unraveling the Deception: Trompe l’Oeil as Guide to Charles Bird King’s Picture Gallery, 1824-1861 by Rowena Houghton Dasch / Grabbing Modernity by the Horns: Mary Cassatt’s Offering the Panal to the Bullfighter by Mary Dailey Pattee / Reconciling the Civil War in Winslow Homer’s Undertow by Clara Barnhart / Excavating the Subjective in Gustaf Nordenskiöld’s The Cliff Dwellers in the Mesa Verde by Bryna R. Campbell / The Country Cousin: Advocating an Arcadian America by Keri Fredericks / Hardcastle (1962): Memory, Catastrophe, Minimalism by Michael Alvar de Baca / The Diagram Dematerialized, from Marcel Duchamp to John Cage to George Brecht by Natilee Harren / Hans Haacke’s Zero Hour by Rachael Churner
Title: Athanor.
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Name(s): Florida State University. Art History Students' Organization, Sponsor
Type of Resource: text
Genre: Periodicals
Issuance: serial
Date Issued: 2008
Publisher: Florida State University
Place of Publication: Tallahassee, Fla.
Extent: 121 pages
Language(s): English
Summary: Painted Paradoxes: The Trompe-L’Oeil Fly in the Renaissance by Kandice Rawlings / Death and Devotion in Renaissance Venice: Giorgione’s Boy with an Arrow and the Cult of Saint Sebastian by Rebekah Perry / Touch of Evil: Disease and the Diabolical in Grünewald’s Temptation of St. Anthony by Jerry Marino / The Conquest of Etruria in Francesco Salviati’s Triumph of Camillus by Caroline Hillard / Unraveling the Deception: Trompe l’Oeil as Guide to Charles Bird King’s Picture Gallery, 1824-1861 by Rowena Houghton Dasch / Grabbing Modernity by the Horns: Mary Cassatt’s Offering the Panal to the Bullfighter by Mary Dailey Pattee / Reconciling the Civil War in Winslow Homer’s Undertow by Clara Barnhart / Excavating the Subjective in Gustaf Nordenskiöld’s The Cliff Dwellers in the Mesa Verde by Bryna R. Campbell / The Country Cousin: Advocating an Arcadian America by Keri Fredericks / Hardcastle (1962): Memory, Catastrophe, Minimalism by Michael Alvar de Baca / The Diagram Dematerialized, from Marcel Duchamp to John Cage to George Brecht by Natilee Harren / Hans Haacke’s Zero Hour by Rachael Churner
Identifier: FSU_ARCH_N1A92_XXVI (IID)
Subject(s): Arts
Student publications
Persistent Link to This Record: http://purl.flvc.org/fsu/fd/FSU_ARCH_N1A92_XXVI
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Host Institution: FSU
Is Part Of: Heritage & University Archives, Florida State University Libraries, Tallahassee, Florida

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