Labyrinth for Chamber Ensemble
Labyrinth is a continuous work for chamber ensemble that explores a variety of emotional states. The piece is divided into nine movements performed without interruption, and is sixteen minutes in length. The labyrinth suggested in the title is not necessarily a physical manifestation and the piece is not rigorously programmatic, but such associations may be helpful in understanding the progression of movements. Tonally, each movement has an audible pitch center without regard to mode. Motion between movements is generated through falling half-steps, with few exceptions. This motion is thematically important, as it implies that movements have unintentional destinations. Instruments are not given particular identities; the themes and motives are more important than the tone colours used to produce them. Thematic material is organic, generated mainly from the initial arc, and melody with accompaniment is the prevalent texture
1 online resource
FSU_migr_etd-1449
This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). The copyright in theses and dissertations completed at Florida State University is held by the students who author them.
monographic
Florida State University
Tallahassee, Florida
A Thesis submitted to the School of Music in partial fulfillment of the requirements for the degree of Master of Music.
Spring Semester, 2003.
March 3, 2003.
Chamber Ensemble
Includes bibliographical references.
Mark Wingate, Professor Directing Thesis; Ladislav Kubik, Committee Member; Peter Spencer, Committee Member; Jane Clendinning, Committee Member.
Chamber Ensemble
March 3, 2003.
A Thesis submitted to the School of Music in partial fulfillment of the requirements for the degree of Master of Music.
Includes bibliographical references.
Mark Wingate, Professor Directing Thesis; Ladislav Kubik, Committee Member; Peter Spencer, Committee Member; Jane Clendinning, Committee Member.
Labyrinth for Chamber Ensemble
2003
Labyrinth is a continuous work for chamber ensemble that explores a variety of emotional states. The piece is divided into nine movements performed without interruption, and is sixteen minutes in length. The labyrinth suggested in the title is not necessarily a physical manifestation and the piece is not rigorously programmatic, but such associations may be helpful in understanding the progression of movements. Tonally, each movement has an audible pitch center without regard to mode. Motion between movements is generated through falling half-steps, with few exceptions. This motion is thematically important, as it implies that movements have unintentional destinations. Instruments are not given particular identities; the themes and motives are more important than the tone colours used to produce them. Thematic material is organic, generated mainly from the initial arc, and melody with accompaniment is the prevalent texture
Chamber Ensemble
March 3, 2003.
A Thesis submitted to the School of Music in partial fulfillment of the requirements for the degree of Master of Music.
Includes bibliographical references.
Mark Wingate, Professor Directing Thesis; Ladislav Kubik, Committee Member; Peter Spencer, Committee Member; Jane Clendinning, Committee Member.
Florida State University
FSU_migr_etd-1449-P