17th-20th Century Correspondence and Documents | DigiNole

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The 17th-20th Century Correspondence and Documents consists of letters, documents, and various forms of correspondence relating to notable names and celebrities from between 1618 and 1981. These documents have either been transcribed to or from the personalities in question or have been written in discussion of these individuals. Some documents have been previously digitized as a part of the Edward Lear Papers.

The digital collection is only selections from the physical collection. For more information about the collection and its contents, see the collection's finding aid.

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: Letter from Charles Somerset, March 9, 1732-1733; Letter from Charles Seymour Somerset discussing prior correspondence between himself and someone referred to as "your Grace." Somerset states that he will do anything in his power to satisfy the interest and wishes of "your Grace."

: Letter from Charles Trelawny to Francis Gashry, June 2, 1744; In this letter, Charles Trelawny asks Francis Gashry to give him a copy of Sir Charles Wager's will and the Act of Parliament. His servant John Hicks is tasked with giving this letter to Francis Gashry as well as retrieving the desired documents from him.

: Letter from Charles Trelawny to Francis Gashry, June 3, 1744; In this letter, Charles Trelawny expresses his surprise to Francis Gashry that he was denied access to an account and a copy of Charles Wager's will. Both of these documents are required to draw a transfer of mortgages. Charles Trelawny asks for the name of the widow's lawyer.

: Letter from Charlotte, Countess of Leicester, October 23, 1794; Charlotte, the Countess of Leicester, references an appointment made and refers to Charlton multiple times. She ends with a postscript stating she will discuss a person with, presumably her husband, the Lord of Leicester.

: Letter from Dennis O'Bryen; Dennis O'Bryen discusses a negative interaction with the recipient as and acknowledges a letter O'Bryen had written while very upset. O'Bryen demands an apology from the recipient.

: Letter from Dion Boucicault; Dion Boucicault writes that he has "done the deed," and that the Gattis are ready to see the recipient of this note. The note is from the Adelphi Theatre.

: Letter from Dr. John Nott to G. Cumberland, December 29, 1812; Dr. John Nott asks Mr. Cumberland about the address of Francis Douce, an antiquary.

: Letter from Edith Miller, December 23, 1896; Although he is not addressed, this letter is most likely written to W.B. Fabian of the Actors' Association. Edith Miller writes that she would be pleased to sing in the Actors' Association's matinée on December 3rd. Mille says she will get he friends to support the Association and its production.

: Letter from Edith Pope to Lou Whitfield Miller; Edith Hope writes to Lou Whitfield Miller shocked to find that her letter from last August had not been answered. Hope attributes this lack of response to their prolonged illness. She hopes her biographical information can still be useful to Miller's studies. Hope lists autobiographical details for Miller and explains that Florida, like any place, did in fact inspire some of her stories.

: Letter from Edmund Burke to Isaac Barre, July 16, 1782; Edmund Burke congratulates Isaac Barré's new appointment to the Pay Office. he also apologizes for not clearing out his books sooner to make room for Barré but assures his progress in doing so. Burke asks Barré to confirm his deputies abroad.

: Letter from Edward A. Ram to Arthur Moreland, March 7, 1909; Edward A. Ram informs Arthur Moreland that it would be impossible for him to be in London on April 3rd and must decline his invitation to the Committee dinner.

: Letter from Edward Crankshaw to John Montgomery, April 10, 1962; Edward Crankshaw discusses publishing deals with the Observer where he can write a story about Russia with lesser restrictions. Crankshaw offers to meet with John Montgomery for lunch or a drink to discuss the market.

: Letter from Edward Crankshaw to John Montgomery, October 25, 1966; Edward Crankshaw is surprised to hear John Montgomery's news, probably his leave from A.D. Peters, and wishes him the best of luck on his new ventures. Crankshaw asks when Montgomery will be in London so that they can catch up.

: Letter from Edward Gordon Craig to John Parker; Edward Gordon Craig sends John Parker suggests Leonard Calvert to be added to Parker's "Who's Who," publication. Craig encloses information about Calvert and suggests sending him papers to fill out.

: Letter from Edward Gordon Craig to John Parker, April 15, 1931; Edward Gordon Craig asks John Parker about London journals that write about the theater. He expresses his gratitude for Parker's "Who's Who in the Theatre" as it has been very helpful for his research.

: Letter from Edward Gordon Craig to John Parker, April 23, 1931; Edward Gordon Craig writes to John Parker and mentions information about the "T. newspapers of 1856." Craig asks if it is true that Barry Sullivan left one hundred thousand pounds because of his new book. Craig refers to the publication he is working on titled "Dictionary of Drama."

: Letter from Edward Gordon Craig to John Parker, January 29, 1926; Edward Gordon Craig writes to John Parker discussing his creation of "The Dictionary of the Drama." He asks for a copy of Parker's book "Who's Who in the Theatre" to assist him in his research. Craig says that he wishes to learn more about Earl Barrymore's Theater in Saville Row and Theater at Lady Handwicke's House. He leaves a postscript note hoping that The Mask gets in touch with Parker soon.

: Letter from Edward Gordon Craig to John Parker, July 27, 1938; Edward Gordon Craig is grateful for John Parker's information regarding Archer and Queenie Tarvin but has been postponing going to Paris to get his letters due to "errors in the country" and he has been busy making illustrations for Robinson Crusoe. Craig goes on to discuss Lowe's "A Biographical Account," as well as Davenport Adams' "A Dictionary of the Drama."

: Letter from Edward Gordon Craig to John Parker, June 24, 1938; Edward Gordon Craig asks John Parker about the actress he drew in his exhibition, Queenie Tarvin, and asks if Parker has gone to see the exhibition. Craig inquires about the actor John Archer. Craig is glad to hear Parker is feeling better and is determined to get better.

: Letter from Edward Gordon Craig to John Parker, May 16, 1931; Edward Gordon Craig writes to John Parker about the will of Barry Sullivan. The Public Record Office of Ireland was unable to find a will from Barry Sullivan, so Craig asks Parker if there are any living relatives of Mr. Sullivan that could help him with supplying the information he is struggling to find.

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