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Twentieth Century's Most Significant Works for Cello
Juxtaposition of Korean and Western Practices in Yong Nan Park's Works
Use of Traditional Folk Music in Andy Teirstein's Maramures Violin Concerto and Restless Nation String Quartet
Modern Romanian Violin School
Sergei Rudnev and a Discussion of Selected Works from the Russian Collection Volume III
Blueprints for Outreach
Portrait of Diversity
Musical Consciousness
Mieczysław Weinberg
Left-Hand Techniques in Aldo Pais' La Tecnica del Violoncello
Performance Guide to Selected Jazz Arrangements of Roland Dyens
Hans Haug
Analytical Overview of Min-Chong Park's Impromptus Pentatoniques for Violin Solo
History and Pedagogy of Viola Duos from the Late Eighteenth and Early Nineteenth Centuries
Introduction to Chung Gil Kim's Go Poong with Emphasis on Pedagogical Studies
Isang Yun's Duo for Viola and Piano and Korean Traditional Music
Ballade Op. 10 No. 2 by Johannes Brahms
Alfred Uhl's (1909-1992) Viola Etudes
Lera Auerbach's 24 Preludes for Violin and Piano, Op. 46
Musical Borrowing in Contemporary Violin Repertoire
Score Reduction and Simplification as a Learning Tool in J.S. Bach's Allemande from Partita No. 6 in E Minor, BWV 830
Performer and Composer Collaborations
Collaboration between Composer and Performer
Survey of Violin Encores
Bohuslav Martinů and His First Cello Sonata
Benjamin Britten's Symphony for Cello and Orchestra, Op. 68
Solo Violin Miniatures in the 21st Century
George Rochberg’s Caprice Variations for Unaccompanied Violin