Current Search:  Research Repository (x) » The Florida State University (x) » Theater (x)

Search results

  • CSV Spreadsheet
(1 - 50 of 70)

Pages

AN AESTHETIC AND METHOD FOR DESIGNING STAGE FURNITURE
AFFILIATION BETWEEN SELECTED UNIVERSITIES AND PROFESSIONAL THEATRE COMPANIES
AMERICAN DRAMATIC CRITICISM, 1830-1860
AN ANALYSIS OF AUDIENCE RESPONSE OF PRISON INMATES TO "ENDGAME."
AN ANALYSIS OF CHARACTER DELINEATION IN SELECTED PLAYSCRIPTS OF CHARLES MACARTHUR AND HIS COLLABORATORS
AN ANALYSIS OF EDUCATIONAL THEATRE'S ROLE IN PLAYWRIGHT DEVELOPMENT
AN ANALYSIS OF THE DIFFERENCES BETWEEN THE LEVELS OF ANXIETY AND COMENTION OF HYPERCONFIDENT, HYPOCONFIDENT, AND NORMAL SPEAKERS
AN ANALYSIS OF THE PERSUASIVE TECHNIQUES IN THE SPEAKING OF BENJAMIN F. FAIRLESS, 1946-1956
AN ANALYSIS OF THE ROLE OF THE BUSINESS MANAGER IN THE COLLEGE OR UNIVERSITY THEATRE
AN ANALYSIS OF VARIANCE OF THE RELATIONSHIP OF EXPERIENCED STAGE FRIGHT TO SELECTED PSYCHOMETRIC INVENTORIES
THE APPLICATION OF PERSONALITY DESCRIPTIONS TO THE INTERPRETATION AND VOCAL EXPRESSION OF DRAMATIC CHARACTERS
THE ARTILLERY ELECTION SERMON IN NEW ENGLAND, 1672-1774
CARYL CHURCHILL, DAVID MERCER, AND TOM STOPPARD: A STUDY OF CONTEMPORARYBRITISH DRAMATISTS WHO HAVE WRITTEN FOR RADIO, TELEVISION, AND STAGE
CHILDREN IN EIGHTEENTH CENTURY ENGLISH DRAMATIC LITERATURE
THE COCKPIT THEATRE AND ARTS WORKSHOP: A STUDY OF THE YOUTH ARTS CENTRE CONCEPT WITHIN THE INNER LONDON EDUCATION AUTHORITY
THE COMBINATION TOURING COMPANY AND ITS INFLUENCE ON THE THEATRE IN SALISBURY, ROWAN COUNTY, NORTH CAROLINA
A COMPARISON OF DOROTHY HEATHCOTE'S INFORMAL DRAMA METHODOLOGY AND A FORMAL DRAMA APPROACH IN INFLUENCING SELF-ESTEEM OF PREADOLESCENTS IN A CHRISTIAN EDUCATION PROGRAM
THE CONCEPT OF A DUAL NATIONAL THEATRE IN GREAT BRITAIN: THE NATIONAL THEATRE AND THE ROYAL SHAKESPEARE THEATRE, 1960-1972
CONCEPTS ABOUT THEATRE: A SURVEY OF SOME COLLEGE STUDENTS IN THE FLORIDA COUNTIES OF BROWARD, DADE, AND PALM BEACH COMPARING THOSE WHO HAVE HAD A THEATRE AND DRAMA APPRECIATION COURSE WITH THOSE WHO HAVE NOT
CRITICAL ELEMENTS OF FUNCTIONAL THEATRE ARCHITECTURE IN AMERICAN COLLEGESAND UNIVERSITIES
A DESCRIPTION OF WORKING PRINCIPLES AND PROCEDURES EMPLOYED BY SELECTED PEOPLES' THEATRE GROUPS IN THE UNITED STATES
A DESCRIPTIVE COMPENDIUM OF SELECTED HISTORICAL ACCESSORIES COMMONLY USEDAS STAGE PROPERTIES
A DESCRIPTIVE STUDY OF AUDIENCE ATTITUDES: A SURVEY OF SELECTED AUDIENCES IN PROFESSIONAL, EDUCATIONAL AND COMMUNITY THEATRES IN DADE, BROWARD, AND PALM BEACH COUNTIES IN THE STATE OF FLORIDA
A DESCRIPTIVE SURVEY OF NINE SELECTED PRODUCTION SCHEMES OF ENGLAND'S NATIONAL THEATRE, 1963-1971
DEVELOPMENT OF A CATEGORY SYSTEM FOR THE ANALYSIS OF THE RESPONSE OF THE YOUNG THEATRE AUDIENCE
THE DEVELOPMENT OF THE ENGLISH ACTOR
DIRECTING IN THREE DIMENSIONS: PRINCIPLES FOR STAGING IN OPEN SPACE USINGTHREE-DIMENSIONAL FORM AS DEMONSTRATED BY THEATRE-IN-THE-ROUND
THE EMPATHIC ABILITY OF ACTORS: A BEHAVIORAL STUDY
THE ENGLISH STAGE COMPANY AT THE ROYAL COURT THEATRE
THE EVOLUTION OF A THEATRICAL STYLE: A STUDY OF THE INTERRELATIONSHIP OFSELECT REGIONAL PLAYWRIGHTS, THE DIRECTOR, THE COMMUNITY, AND THE ROUND STAGE AT THE VICTORIA THEATRE, STOKE-ON-TRENT
THE EVOLUTION OF BRIAN WAY'S PARTICIPATIONAL THEATRE
THE EVOLUTION OF JAZZ DANCE FROM FOLK ORIGINS TO CONCERT STAGE. (VOLUMES I AND II)
AN EXPERIMENTAL STUDY OF THE ABILITY OF LISTENERS TO DISCRIMINATE BETWEENSTRAIGHT NEWS AND PERSONAL OPINION IN A RADIO NEWS BROADCAST
FROM IDEA TO DIALOGUE: AN ANALYSIS OF THE PLAYWRITING PROCESS AS DERIVEDFROM THE NON-DRAMATIC WRITINGS OF A SELECTED GROUP OF SUCCESSFUL DRAMATISTS, 1899-1950
GEORGE BERNARD SHAW'S IDEAS ON ACTING
HAWES CRAVEN, WILLIAM TELBIN AND JOSEPH HARKER: AN ANALYSIS OF THE SCENOGRAPHIC PRACTICES OF HENRY IRVING'S PRINCIPAL SCENE PAINTERS AT THE LYCEUM THEATRE, 1878-1898
THE HIGH SCHOOL TOUR: A STUDY OF THE ASOLO THEATRE TOURS OF 1966-1968 ANDTHE ELON COLLEGE TOURS OF 1969, 1970 AND A GUIDE FOR HIGH SCHOOL TOURING
A HISTORY OF THE AMERICAN COLLEGE THEATRE FESTIVAL: 1963-1973
A HISTORY OF THE PROFESSIONAL THEATRE OF DETROIT, MICHIGAN, SEPTEMBER 13,1875 TO JULY 3, 1886
A HISTORY OF THE ROBERT JOFFREY BALLET. (VOLUMES I AND II)
JOHN WARD'S THEORY OF RHETORIC
THE JUDSON POETS' THEATRE: 1960-1973
THE MATURATION THEME IN CONTEMPORARY AMERICAN DRAMA
A METHODOLOGY FOR A CONTENT ANALYSIS OF THEATRE CRITICS' REVIEWS
THE NECESSARY ROLE OF THE COLLEGE AND THE UNIVERSITY IN THE DEVELOPMENT OF THE SECONDARY SCHOOL DRAMA PROGRAM IN FLORIDA: A SURVEY AND ANALYSIS OF THE NEEDS OF THE FLORIDA SECONDARY SCHOOLS, AND AN EXAMINATION OF THE ROLE OF THE COLLEGE AND UNIVERSITY IN
AN OVERVIEW OF MISS ANNE: WHITE WOMEN AS SEEN BY BLACK PLAYWRIGHTS
PATTERNS IN CONTEMPORARY, OUTDOOR HISTORICAL DRAMA: A GUIDE FOR DIRECTORS
PEKING OPERA: A STUDY ON THE ART OF TRANSLATING THE SCRIPTS WITH SPECIAL REFERENCE TO STRUCTURE AND CONVENTIONS
PROTEST AGAINST WAR IN THE WESTERN THEATRE: FIFTH CENTURY B.C. AND TWENTIETH CENTURY A.D
THE REACTIONS OF LONDON'S DRAMA CRITICS TO CERTAIN PLAYS BY HENRIK IBSEN, HAROLD PINTER, AND EDWARD BOND

Pages