Current Search:  Research Repository (x) » English (x) » Theater (x)

Search results

  • CSV Spreadsheet
(1 - 50 of 99)

Pages

AN AESTHETIC AND METHOD FOR DESIGNING STAGE FURNITURE
AFFILIATION BETWEEN SELECTED UNIVERSITIES AND PROFESSIONAL THEATRE COMPANIES
AMERICAN BURLESQUE AS REFLECTED THROUGH THE CAREER OF KITTY MADISON, 1916-1931
AMERICAN DRAMATIC CRITICISM, 1830-1860
AN ANALYSIS OF AUDIENCE RESPONSE OF PRISON INMATES TO "ENDGAME."
AN ANALYSIS OF CHARACTER DELINEATION IN SELECTED PLAYSCRIPTS OF CHARLES MACARTHUR AND HIS COLLABORATORS
AN ANALYSIS OF EDUCATIONAL THEATRE'S ROLE IN PLAYWRIGHT DEVELOPMENT
AN ANALYSIS OF THE DIFFERENCES BETWEEN THE LEVELS OF ANXIETY AND COMENTION OF HYPERCONFIDENT, HYPOCONFIDENT, AND NORMAL SPEAKERS
AN ANALYSIS OF THE PERSUASIVE TECHNIQUES IN THE SPEAKING OF BENJAMIN F. FAIRLESS, 1946-1956
AN ANALYSIS OF THE ROLE OF THE BUSINESS MANAGER IN THE COLLEGE OR UNIVERSITY THEATRE
AN ANALYSIS OF TOM STOPPARD'S PLAYS AND THEIR PRODUCTIONS (1964-1975)
AN ANALYSIS OF VARIANCE OF THE RELATIONSHIP OF EXPERIENCED STAGE FRIGHT TO SELECTED PSYCHOMETRIC INVENTORIES
ANALYZING RELATIONSHIPS AMONG CHARACTERS IN DRAMA: A COMBINATION OF PRECEPTS FROM CONSTANTIN STANISLAVSKI'S SYSTEM OF ACTING AND ERIC BERNE'S SYSTEM OF TRANSACTIONAL ANALYSIS
THE APPLICATION OF PERSONALITY DESCRIPTIONS TO THE INTERPRETATION AND VOCAL EXPRESSION OF DRAMATIC CHARACTERS
THE APPLICATION OF THE EXCHANGE THEORY OF SOCIAL BEHAVIOR TO ANALYSIS OF THEATRE AUDIENCES: A METHODOLOGICAL STUDY
THE ARTILLERY ELECTION SERMON IN NEW ENGLAND, 1672-1774
BERNARD SHAW AND BERTOLT BRECHT: A COMPARATIVE STUDY UTILIZING METHODS OF FEMINIST CRITICISM (BRITAIN, GERMANY)
CARYL CHURCHILL, DAVID MERCER, AND TOM STOPPARD: A STUDY OF CONTEMPORARYBRITISH DRAMATISTS WHO HAVE WRITTEN FOR RADIO, TELEVISION, AND STAGE
CHILDREN IN EIGHTEENTH CENTURY ENGLISH DRAMATIC LITERATURE
THE COCKPIT THEATRE AND ARTS WORKSHOP: A STUDY OF THE YOUTH ARTS CENTRE CONCEPT WITHIN THE INNER LONDON EDUCATION AUTHORITY
THE COMBINATION TOURING COMPANY AND ITS INFLUENCE ON THE THEATRE IN SALISBURY, ROWAN COUNTY, NORTH CAROLINA
A COMPARISON OF DOROTHY HEATHCOTE'S INFORMAL DRAMA METHODOLOGY AND A FORMAL DRAMA APPROACH IN INFLUENCING SELF-ESTEEM OF PREADOLESCENTS IN A CHRISTIAN EDUCATION PROGRAM
THE CONCEPT OF A DUAL NATIONAL THEATRE IN GREAT BRITAIN: THE NATIONAL THEATRE AND THE ROYAL SHAKESPEARE THEATRE, 1960-1972
CONCEPTS ABOUT THEATRE: A SURVEY OF SOME COLLEGE STUDENTS IN THE FLORIDA COUNTIES OF BROWARD, DADE, AND PALM BEACH COMPARING THOSE WHO HAVE HAD A THEATRE AND DRAMA APPRECIATION COURSE WITH THOSE WHO HAVE NOT
CRITICAL ELEMENTS OF FUNCTIONAL THEATRE ARCHITECTURE IN AMERICAN COLLEGESAND UNIVERSITIES
A DESCRIPTION OF WORKING PRINCIPLES AND PROCEDURES EMPLOYED BY SELECTED PEOPLES' THEATRE GROUPS IN THE UNITED STATES
A DESCRIPTIVE COMPENDIUM OF SELECTED HISTORICAL ACCESSORIES COMMONLY USEDAS STAGE PROPERTIES
A DESCRIPTIVE STUDY OF AUDIENCE ATTITUDES: A SURVEY OF SELECTED AUDIENCES IN PROFESSIONAL, EDUCATIONAL AND COMMUNITY THEATRES IN DADE, BROWARD, AND PALM BEACH COUNTIES IN THE STATE OF FLORIDA
A DESCRIPTIVE SURVEY OF NINE SELECTED PRODUCTION SCHEMES OF ENGLAND'S NATIONAL THEATRE, 1963-1971
DEVELOPMENT OF A CATEGORY SYSTEM FOR THE ANALYSIS OF THE RESPONSE OF THE YOUNG THEATRE AUDIENCE
THE DEVELOPMENT OF THE ENGLISH ACTOR
DIRECTING IN THREE DIMENSIONS: PRINCIPLES FOR STAGING IN OPEN SPACE USINGTHREE-DIMENSIONAL FORM AS DEMONSTRATED BY THEATRE-IN-THE-ROUND
THE EARLY HISTORY OF A UNIVERSITY-RELATED, REGIONAL THEATRE: A STUDY OF THE ASOLO THEATRE, THE ASOLO THEATRE FESTIVAL AND THE ASOLO STATE THEATRE THROUGH 1966 (ITALY, FLORIDA)
ECCLESIASTICAL DRESS AND VESTMENTS OF THE ROMAN CATHOLIC CHURCH FROM THE ELEVENTH CENTURY TO THE PRESENT: A HANDBOOK OF PATTERNS, CONSTRUCTION AND VESTING PROCEDURES FOR USE IN THE THEATRE
THE EFFECT OF THE ABSORPTIVITY OF ADJACENT WALLS ON LOUDSPEAKER DIRECTIVITY (Q) (ACOUSTICS, THEATER)
EGYPTIANIZING THEATRE IN EGYPT, 1963-1970: A DESCRIPTIVE AND CRITICAL EXAMINATION OF THE CLASH BETWEEN A QUEST FOR AUTHENTICITY AND A TENDENCY TO ASSIMILATE WESTERN METATHEATRE
THE EMPATHIC ABILITY OF ACTORS: A BEHAVIORAL STUDY
AN EMPIRICAL ANALYSIS OF ACTOR AUDITION BEHAVIOR AT THE FLORIDA THEATRE CONFERENCE'S 1982 FALL AUDITIONS
THE ENGLISH STAGE COMPANY AT THE ROYAL COURT THEATRE
THE EVOLUTION OF A THEATRICAL STYLE: A STUDY OF THE INTERRELATIONSHIP OFSELECT REGIONAL PLAYWRIGHTS, THE DIRECTOR, THE COMMUNITY, AND THE ROUND STAGE AT THE VICTORIA THEATRE, STOKE-ON-TRENT
THE EVOLUTION OF BRIAN WAY'S PARTICIPATIONAL THEATRE
THE EVOLUTION OF JAZZ DANCE FROM FOLK ORIGINS TO CONCERT STAGE. (VOLUMES I AND II)
AN EXPERIMENTAL STUDY OF THE ABILITY OF LISTENERS TO DISCRIMINATE BETWEENSTRAIGHT NEWS AND PERSONAL OPINION IN A RADIO NEWS BROADCAST
Fornes and What of the Night?
FROM IDEA TO DIALOGUE: AN ANALYSIS OF THE PLAYWRITING PROCESS AS DERIVEDFROM THE NON-DRAMATIC WRITINGS OF A SELECTED GROUP OF SUCCESSFUL DRAMATISTS, 1899-1950
THE FUNCTION OF THE CHOREOGRAPHER IN THE DEVELOPMENT OF THE CONCEPTUAL MUSICAL: AN EXAMINATION OF THE WORK OF JEROME ROBBINS, BOB FOSSE, AND MICHAEL BENNETT ON BROADWAY BETWEEN 1944 AND 1981 (NEW YORK)
Fusion racinienne: Eclatement classico-romantique. [French text] (Jean Racine)
GEORGE BERNARD SHAW'S IDEAS ON ACTING
GROUP DYNAMICS AND THE EVOLUTION OF CREATIVE CHOICE IN THE PERFORMANCE GROUP'S NEW YORK PRODUCTION OF "DIONYSUS IN 69"
HAWES CRAVEN, WILLIAM TELBIN AND JOSEPH HARKER: AN ANALYSIS OF THE SCENOGRAPHIC PRACTICES OF HENRY IRVING'S PRINCIPAL SCENE PAINTERS AT THE LYCEUM THEATRE, 1878-1898

Pages