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Irmgard Keun's magnifying glass
|Title:||Irmgard Keun's magnifying glass: Deconstructing the Nazi discourse.||
Bonfante-Bossak, Ana Luisa, 1973-, author
Maier-Katkin, Birgit, 1962-, professor directing thesis
Florida State University, degree granting institution
|Type of Resource:||text|
|Publisher:||Florida State University|
|Place of Publication:||Tallahassee, Florida|
|Extent:||1 online resource (vi, 45 leaves)|
|Abstract/Description:||"In Nach Mitternacht, the author Irmgard Keun unveils a society that is a counter-image to that portrayed by the National Socialist regime. By giving the reader an amplified yet sharp picture of life in the Third Reich, Keun not only exposes the Regime's repression mechanisms, but she also raises the question of individual responsibility among the petit-bourgeoisie, discussing very early-on the issue of co-participation. Keun's critical engagement does not fall short of aesthetical quality. A seemingly naive narrator deconstructs Nazi discourse through various literary devices which break the one-to-one system of signification typical of totalitarian discourses. Keun succeeds in deconstructing the Nazi regime by focusing on specific parts of society, zooming in on different situations and on the lives of different people, offering the reader a dissected picture of life in the Third Reich. Hence, Keun delivers a critical and complex political analysis of the early years of the Third Reich"--Abstract.|
|Bibliography Note:||Includes bibliographical references (leaves 42-44).|
"Spring Semester, 2002."
"Submitted to the Department of Modern Languages in partial fulfillment of the requirements for the degree of Master of Arts."
Advisor: Birgit Maier-Katkin, Professor Directing Thesis.
Nach Mitternacht (Keun, Irmgard)
|Persistent Link to This Record:||http://purl.flvc.org/fsu/fd/FSU_Bonfante-Bossak_Ana_Luisa|
Bonfante-Bossak, A. L. (2002). Irmgard Keun's magnifying glass: Deconstructing the Nazi discourse. Retrieved from http://purl.flvc.org/fsu/fd/FSU_Bonfante-Bossak_Ana_Luisa