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Eight Days of Dance, 1982

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Abstract/Description:
Performance included: Shiga (choreography by Kenneth Jenkins), Nocturna (choreography by Eulyce Williams), Conundrum (choreography by Peggy Lyman), Four Jacks in a Row (choreography by Kathy Padgett Lewis), Sonnet Beginnings (choreography by Lynda Davis), Till Birnham Forest Come to Dunsinane (choreography by Kelly Broderick), Cafe D'Amour (choreography by James F. Sturgell), Birthnight (choreography by Allison Diftler), Sanctuary (choreography by Katherine Levitz), Tadek's Free-Warp (choreography by Lynda Davis), Wednesday's Brain (choreography by Catherine E. Law), In Crowd (choreography by Connie Blaszczyk), Variation for a Little Allegro (choreography by Katherine F. Levitz), Fathom (choreogrpahy by Nan Haberkorn), The Letter (choreography by Sharyn Heiland), Descent (choreography by Jack Clark), Arachnid Rag (choreography by gayle Doherty), Palace of Uruk (choreography by Megan Brazil), Dance for Mask and Chimes (choreography by Nan Haberkorn), I've Seen Better Legs on a Piano (choreography by Jack Clark), Go for Baroque (choreography by Nancy Smith Fitcher), Ardent Games (choreography by Nancy Smith Fitcher), Tarantella (choreography by Richard J. Sias), Flaw-Dah (choreography by Dennise M. Hewlett), Mozartiana (choreography by Katherine F. Levitz), Excerpt from Suppuku Onnagata (choreography by Kenneth Jenkins), Julibration (choreography by Lynda Davis).
Title: Eight Days of Dance, 1982.
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Type of Resource: text
Date Created: 1982-12-01/1982-12-08
Physical Form: program
Extent: 5 p.
Language(s): English
eng
Abstract/Description: Performance included: Shiga (choreography by Kenneth Jenkins), Nocturna (choreography by Eulyce Williams), Conundrum (choreography by Peggy Lyman), Four Jacks in a Row (choreography by Kathy Padgett Lewis), Sonnet Beginnings (choreography by Lynda Davis), Till Birnham Forest Come to Dunsinane (choreography by Kelly Broderick), Cafe D'Amour (choreography by James F. Sturgell), Birthnight (choreography by Allison Diftler), Sanctuary (choreography by Katherine Levitz), Tadek's Free-Warp (choreography by Lynda Davis), Wednesday's Brain (choreography by Catherine E. Law), In Crowd (choreography by Connie Blaszczyk), Variation for a Little Allegro (choreography by Katherine F. Levitz), Fathom (choreogrpahy by Nan Haberkorn), The Letter (choreography by Sharyn Heiland), Descent (choreography by Jack Clark), Arachnid Rag (choreography by gayle Doherty), Palace of Uruk (choreography by Megan Brazil), Dance for Mask and Chimes (choreography by Nan Haberkorn), I've Seen Better Legs on a Piano (choreography by Jack Clark), Go for Baroque (choreography by Nancy Smith Fitcher), Ardent Games (choreography by Nancy Smith Fitcher), Tarantella (choreography by Richard J. Sias), Flaw-Dah (choreography by Dennise M. Hewlett), Mozartiana (choreography by Katherine F. Levitz), Excerpt from Suppuku Onnagata (choreography by Kenneth Jenkins), Julibration (choreography by Lynda Davis).
Identifier: FSUSOD_Programs_1982_005 (IID), fsu:155346 (fedora)
Subject(s): Florida State University--School of Dance
Persistent Link to This Record: http://purl.flvc.org/fsu/fd/FSUSOD_Programs_1982_005
Held by: Heritage Protocol & University Archives, Florida State University Libraries, Tallahassee, Florida.
Use and Reproduction: Use of this item is provided for non-commercial, personal, educational, and research use only. For information about the copyright and reproduction rights for this item, please contact Heritage Protocol & University Archives, Florida State University Libraries, Tallahassee, Florida.
Owner Institution: FSU

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